Feeds:
Posts
Comments

Archive for the ‘Uncategorized’ Category

My friend Mayka announced to a group of us that when she died she wanted the following words on her tombstone: “She cared”.

Of course we joked with her – she isn’t young but still she will probably live for many years yet. And anyway, who has a tombstone these days?

But Mayka had managed to do what few of us can do – she had summed up the theme of her life. Yes, Mayka cares. She has always tried to care about other people and she likely always will.

This carries with it pluses and minuses. Seldom do other people care as much as she does so she is often disappointed in the small amount of care that comes back to her. Sometimes she expects people to care and, having busy lives, they don’t live up to her expectations.

Sometimes she is rewarded far beyond anything she might expect and she feels that the world is unfolding as it should.

The point is: Mayka has seen the pattern in her life. Can you see the pattern in your life? It’s not easy. We are complex creatures with many facets to our life: family, friends, education, goals, job, hobby, volunteering, spiritual life, health. Who can see a pattern in all of that?

If you are setting out to write your memoir your pattern is important. I suggest that potential memoir writers get large size file cards and write one memory on each card, writing fairly quickly to get the idea down. This avoids the ‘staring at a blank page in a new binder’ paralysis.  Once they have a collection of 20-30 file cards they look them over and start trying to find some order amongst them. It might be chronological, that’s fine.

Better yet is a reading and re-reading to find the patterns in your life. As you read back and forth does it occur to you that many of your stories start with you doing something on an impulse? Maybe you married that unsuitable boy in your teen years, spoke hurtfully to your grandmother, left home to live in another country. Or perhaps your pattern is making safe decisions, or standing up for the underdog.

Maybe you see more than one pattern – that’s fine too. You can sit down and order those file cards according to your life themes. You can see how you have grown and developed the themes of your life. Maybe you have learned to overcome some pattern that was not working well for you. Maybe you have learned to use a character trait to enrich your life and the lives of those around you.

Rewrite your file card stories to reflect your theme and show the color and texture of your life. For you it shows your growth and a peek at the meaning of your life. It gives the reader a thread to follow and a deeper understanding of you. Maybe someone can learn from it.

At the very least you’ll know what you want carved on your tombstone.

Read Full Post »

Some writers love the support and friendship of a writer’s group. Others avoid them for what seem like good reasons.

“I don’t have the confidence.”

“What if they don’t like my work?”

“I’m sure they’re all so much better writers than I am.”

However they say it, it reveals a lack of confidence in themselves and their work. Perhaps they don’t send their work to editors for the same reasons.

I plead guilty to lack of confidence in my work but – big BUT – I know I need at least one other pair of eyes to notice my mistakes and – big AND – to tell me what I did well and could do more of.

Some people can afford to pay – and to trust – a freelance editor. Better than that are the several pairs of eyes in a writers group. Different people notice different things. Added together you get significant input.

Will that input dent your fragile confidence? If that’s a concern test the waters in a new group. Let them go over a piece of work you like, but don’t expose your finest and best-loved piece right away. Chances that they’ll rip it to shreds are very remote, but hey, if they do, you didn’t care much for the piece anyway. Move on to another group.

Most groups will offer the support you are looking for and point out aspects of your work that are better than you thought. Yes, they will mention parts that could be improved, probably with ideas of how to do it. They might even have fresh  ideas for places to market it.

If you are planning to market your work you need to accept that other eyes are going to look it over. These editorial eyes will be experienced, focused and looking for the piece that best fits their specific market. An easy first step before you give it to the professionals is to let less stressed, less critical eyes take a look.

Take time to find a writers group you feel comfortable with. Then you will know that their eyes are gentler more caring of you as a writer than a newspaper, magazine or book editor can ever be. They will not ‘reject’ your work, they will help you improve it.

The writer’s group is a stepping stone into the real world with your writing. You’ve read it yourself in your isolation. You may have read it to a friend who told you it was lovely/awesome/great. The writers group is graduation into a more objective world.

Yes, it takes a leap of faith. Do you have that much faith in your writing?

Read Full Post »

Sometimes the writing goes well, sometimes not. When it isn’t going well we call it ‘writer’s block’ and a lot has been written about that.

But what about when it is going well? Do we just give silent thanks as our fingers fly over the keyboard, and keep going as fast as we can before the spirit leaves us? Some of us are lucky enough to do just that. Others have kids who need to be fed NOW or a job that they need to leave for in half an hour.

Do you leave it at a logical stopping point, or in mid-scene so the momentum is there to be picked up next time? Or do you just leave it at whatever moment you are dragged away from it?

Where does writing stand in your list of priorities? What will you sacrifice to keep this wonderful creative burst going? Do you have the luxury of saying, “Go away, world. I’m writing up a storm here. Get out of my way.”

Is there a little voice nagging at the back of your mind – “If you’re writing this much it can’t be good quality. It’s probably all drivel. You ought to stop right now.” It’s a nasty little voice. If you listen to it, it will kill the pleasure you have in this unexpected outpouring of your creative mind.

I try to scare it away with a resounding positive – if my subconscious mind is sending me this wealth of words there must be value in it. Then I back it up with practical reassurance – there may be a few errors, I might have gone off track a couple of times but it’s all fixable. Don’t worry, nagging voice, I will edit it carefully. Later.

Meanwhile enjoy it. Go with the flow. Let the ideas or the characters or the scene find the print and the paper. You are just the channel. You are unblocked and functioning as a channel really well just now.

Being on a roll as a writer is a pleasure that mixes dynamic energy with a sense of achievement. However, it can be a tough one to share.

If you tell someone who is not a writer “I wrote 2500 words today!” they may reply “Is that a lot?”. You want to grab them by the throat and yell, “Do you have any idea…”

If you say it to a writer they may reply, “Yes, but is it salable?” or “Yes, but who’s going to publish it?”

To me these people are first cousins of the nagging voice that already told you that it was probably no good. You need to avoid their negativity or shut it down.

Then there’s the writer friend who isn’t doing so well just now. How can you proudly announce “I wrote 2500 words today!” to someone you know is in the writing doldrums? Or to someone who tries but who has never really got going as a writer?

How can you use it to encourage and not to belittle? How can you share this creative joy and affirmation of all that is unique about being a writer? How can you expand it so it helps and supports others?

Read Full Post »

Little Rituals

Do you have any little writing rituals? Pens all arranged in order maybe, even if you’re not using a pen? I have a friend who always gives her computer screen a quick wipe off before she settles down to write. After all, no-one  wants to be gazing at their prose through a dust mote.

No point going into the psychology of it – if we feel this helps us it probably helps us – settles us down, helps us get into the writing mind-set.

It’s not just writers who do this, and not just within our writing life. I like to start my day with a good walk. This is not a ritual, heavens no! But if circumstances dictate that I can’t walk till the afternoon I get uncomfortable and antsy. No reason – it’s just not the way my daily non-ritual works.

Our rituals say more about us than we realize. The same is true for the characters we’re writing about. They have their rituals, some grounded in reality, some not. Aunt Emily always leaves the family get together early because she doesn’t feel comfortable driving in the dark. Uncle Will always cuts his meat into one-inch squares before he eats it. Who knows why?

Odd as these things may be they have their uses in fiction. They may drive part of a plot or sub-plot. They reveal character. They could also explain an action that otherwise might seem unreasonable.

If Uncle Will cuts his meat into squares he probably has many other little personal rules. (Every penny he spends must be entered into a spreadsheet printout and he has a special pen for that).

So when your plot hinges on Uncle Will making a small leap of faith (even though it’s an action most people would take) he will be unable to step out of his rigidly controlled life to do it.

Even without being a plot point little rituals can give your character extra dimension. She always drinks her coffee black. He always opens envelopes with a letter opener. It doesn’t have to matter to the plot, you just see them in everyday action.

And if their ritual doesn’t happen correctly you see how they respond – Anger? Upset? Oh, never mind? Your reader understands the character better.

Be aware of little rituals, your own and those you notice in the people around you. Those little rituals can be gold for a writer.

Read Full Post »

Because you have an active mind you likely have lots of friends. Some of them are connected to your writing self, some not. You have friends you have coffee with at work, meet on the football field or like hanging out with. Maybe they have nothing to do with your writing self.

But who would you call your writing friends? Your writers group? Blog friends who write? People you meet once a year at the writers conference?

Do you remember being introduced to someone by a mutual friend:

“This is Samantha. You’ll like her, she’s a writer too.”

You say, “Hi. I write fantasy.”

Samantha says “I write a regular column for “The Weekly Grain Farmer”.

Not a friendship made in heaven. So who counts  as writer friends?

Your writers group as a whole or just a few members? If it’s just a few members is that because they write in your genre or because something about them connects with you?

How do you feel about people who read your work and say, “It was lovely.” Period.  End of subject

If pressed, they say, “Well I read it through to the end, but why did she have to die? A happy ending would have been nicer.”

It was probably your mom speaking. You love her, but she just doesn’t get it.

How important is ‘getting it’? Because if they don’t get it you’re not going to be comfortable sharing your work with them.

Are you finding that with your blog you’re becoming friends with, sharing ideas with, some people with a totally different background from the continent far away?

With social media this is becoming commonplace, but the additional element of “writing friend” puts it into a special category.

I’ve had one writing friend for a few years.. A writing friend knows a whole dimension of you that other the friends don’t know.

It’s not just that with her I can discuss markets or problems with a scene. It’s that she gets that big part me that other people just tiptoe around. A writing friend understands the complications of creativity. They see how the ‘real world’ isn’t enough. She gets it – my reality doesn’t end with here and now, it has additional dimensions. So does hers.

Other people seem comfortable thinking they know reality. They have a firm grasp on it. Writers – and other artists – wonder about the reality of place and time. They see it not as part of the real and only world but as a finite starting point for all that might be.

I think those who share your ideas, those who “get you” are your true writing friends. Kolkata or Christchurch, Fresno or Dalien  are just dots on a map, barely visible in our infinity.

Your writing friend is the one “gets” your inner world.

Read Full Post »

Follow

Get every new post delivered to your Inbox.

Join 40 other followers