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Posts Tagged ‘people’

I was raised in a large industrial city in England. When I was about twelve years old I sent off my first story to a magazine publisher. It was full of conflict, about creatures trying to exist in the Amazon rainforest. Much later, understanding a bit about marketing, I realized the magazine published only romances. The best ‘creatures in the Amazon’ story in the whole world wouldn’t have made it on to their pages.

Someone on their staff, though, was kind enough to send me an encouraging note along with the rejection. Of course it contained the sentence “Try writing what you know.” It not only encouraged me to keep writing, it made me excel in biology classes as I tried to get to know Amazon creatures better.

Many years later I visited the Amazon and saw – and in  a few cases touched – tarantulas, anacondas, raucous birds, tiny monkeys and even a cayman (seen at night by flashlight). Let me repeat – I SAW them. There’s no way I got to know them. not like I know people.

People are what or who we know. Most of us are surrounded by them, all shapes and sizes and all with unique emotional dimensions. Each one comes with strengths, weaknesses, flashpoints, hopes, hostilities, beliefs and viewpoints. No matter where you live the people you know carry these personal individual bundles around with them, just as we all do.

Once in a while you can glimpse the reason why they act and react the way they do. Mostly, though, it’s the writer within us that compels us to try to connect the seemingly unconnected dots. We look at the little behavioral clues they leave and try to puzzle out why, in this case, A led to M instead of to B. What if some pressure was being applied that we don’t know about? What if…

And because we, as writers, spend so much time with people and thinking about possible reasons for their behavior, we start to know them and understand them better. So when we write about people we are writing about what we know. Probably more than others we begin to understand motives behind actions. We see the telltale tiny signs and we empathize with their emotions, remembering a time when we ourselves felt so angry, so sad or so distraught that we too might have…

The more we learn about people, the more we figure them out, the more our readers will connect with our characters and enjoy our writing. They will feel the reality underlying our fiction.

We will be writing about what we know, what we understand, what we have deep feeling for. And our writing will be good.

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O.K., I know I’ve said it before, but writers write. Every day. For some people it’s a journal. Others Tweet or add to their Facebook page or they e-mail friends. It’s all practice writing.

The more you write – even ordinary events – the more chance you’ll find gems here and there that can be used in a story, an essay, an article or a blog.

Look around the coffee shop. See those two young women? They look quite similar in age, style of dress, coloring. Can you describe them in writing so that anyone reading it would know right away which was which?

Someone new walks into the office. You think “If I was writing a story I’d cast her in the role of…” When you get time, write the story and put her in it.

Imagine yourself a psychic. You look at people and you know more about them than others do. Can you see the pain in his eyes? What caused it?

Can you see that she looks nervous, almost afraid, but there seems no reason to be afraid.  What lies behind that?

Write down your imaginings. Make it almost a story. It might be lacking in plot, but it’s for your eyes only. It’s practice in building a character-driven story. With more practice you’ll be able to start adding in the rest.

As a writer, you have a world of ideas and imaginings within you. Unless you practice, your expression of your ideas can be awkward. You get annoyed with your awkwardness and you can be tempted to think that you’re not a writer after all.  But all you need is practice in getting those ideas and imaginings from your brain to your finger tips.

No-one else need read your work while you practice. You’re strengthening your writing muscles. You might make mistakes but you’ll learn from them.

At the same time you will become more deeply aware of the world and the people around you – and that in itself is a pleasure. You’ll become  aware of the odd little tics and habits people have and you’ll practice imagining why? and what if? as you watch them.

One of the benefits of being a writer is that deeper awareness. You are opening and expanding a new dimension for yourself.

The world of the writer is a wonderful place.

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